Dusan Markovic
St. George at The Kiev Museum of Western and Oriental Art statue
St. George at The Kiev Museum of Western and Oriental Art statue
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Donatello carved his statue of St. George for the guild of armorers and swordmakers in Florence. Like the statue of St. Mark, the statue of St. George was destined for the guild’s niche in the building of Orsanmichele. Because the guild was of average size, it could only afford a statue of marble, rather than of bronze. St. George was the patron saint of the armorer’s guild and was known as a military figure, one who was well-known in the Byzantine East, but who was also known by the Crusaders who battled Muslim forces in the Holy Land. A popular tale involving St. George defeating the dragon came to be known through the collection of stories called the Golden Legend (Legenda Aurea) in the late thirteenth century. In Donatello’s work, St. George was carved with a confident posture. He stands tall with his shield in front of him that looks as if could rotate on its small base which touches the ground. This implies, at the very least, a sense of readiness on the part of the saint to quickly confront enemies coming from different directions. To enhance the look of the statue, the guild created special special adornments for it, which might have been put on display on special days of the year, such as the Feast of St. George. These adornments would have included a sword, held in his right hand, a helmet, and a belt. They would have given the statue a bold appearance of metal on marble, and the sword would have projected forward, out of the niche, creating a very visible statement to all walking down the street in front of Orsanmichele. Unlike the statue of St. Mark, the statue of St. George does not stand in contrapposto. Instead, both legs are clearly supporting the saint’s weight, although the front of his left foot is not completely planted on the ground, but instead partially hangs off the front of the base.
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